Charlie Hatch
Gh181212@ohio.edu
What’s the most important thing in life?
That’s a question that often goes unanswered, or may vary
depending on the individual.
But it’s an important question for all people to think
about, especially as journalists.
If journalists could learn anything from “The Paper,” it
would be the ability to prioritize the most important things in life. But that’s
something that a lot of journalists ignore or overlook.
During the film, when Henry Hackett (Michael Keaton) is
offered a position at one of the premier newspapers in the world, the editor of
the phony New York Sentinel says the
job would offer better pay and better hours.
At this moment, another student turned to me and said,
“Wouldn’t it be nice if we could just work nine-to-five?”
…
It’s an honest statement, but it’s also incredibly
depressing as a journalist.
By working abstract hours, think of all the opportunities in
life that are passed by?
For Bernie White (Robert Duvall), he sacrificed working at
the paper in exchange of losing his wife, his daughter and her young, growing
family. Is that worth it?
Even on a local level, what are the boundaries?
Is not answering calls from my parents or my
grandmother really worth it if I can break a story on a women’s basketball
paper getting caught for an open container? (This actually happened, but there were more negatives than positives to come out of the story if it was published.)
Obviously there are times when work is more important than
something going on—maybe a birthday party—but it’s important that work
shouldn’t become the priority in your life.
It’s understandable if it’s something important, such as
President Obama announcing a new immigrant policy. What about a two-game
suspension for a player who doesn’t see the court as much? Those are ethical
questions journalists need to think about and answer.
Or, if you do think work is the most important, at least
inform your family/spouse of what the new job promotion might mean.
From Virtual-History
There are plenty of ways for journalists to find that
balance and perfect it. That’s a goal that all working individuals should
strive to achieve.
When Hackett’s pregnant wife, Martha (Marisa Tomei) is stood
up at a dinner date with her parents so that her husband can get a quote for a
paper, she gets stressed and is carried out of their apartment on a stretcher.
Ultimately the wife gives birth and the husband’s paper has
an exclusive story. Perhaps the signature moment is when they look at one
another in the hospital room the next day and he realizes how significant
family is to him.
He found that perfect balance.
We’re not going into journalism to make money; that’s a
fact. Well, we will, but not that much.
Journalists are going into the field because they love to
provide news for citizens, and they’re driven by the need to know more
information.
Journalists need to be driven to find personal time as well.
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